dialogue contact familiarity utteranceNumber speaker utterance expression referent mention indefiniteOrDefinite isPronoun durationRepeatedExpression sample eyecontact unfamiliar 1 g do you have a picture of a burnt forest? a burnt forest forest 1 indefinite 0 sample eyecontact unfamiliar 2 f yup sample eyecontact unfamiliar 3 g okay, start at the burnt forest and draw a line down along the left side of it the burnt forest forest 2 definite 0 sample eyecontact unfamiliar 3 g okay, start at the burnt forest and draw a line down along the left side of it it forest 3 definite 1 sample eyecontact unfamiliar 4 f okay, toward the ravine? the ravine ravine 1 definite 0 0.56 sample eyecontact unfamiliar 5 g yes, towards the ravine the ravine ravine 2 definite 0 0.47 sample eyecontact unfamiliar 6 g now go over the top of the ravine the ravine ravine 3 definite 0 0.4 sample eyecontact unfamiliar 7 g and under a little remote village a little remote village village 1 indefinite 0 sample eyecontact unfamiliar 8 f okay sample eyecontact unfamiliar 9 g now do you see a big pine grove? a big pine grove grove 1 indefinite 0 sample eyecontact unfamiliar 10 f yes, I see it it grove 2 definite 1 sample eyecontact unfamiliar 11 g good, now head for a concealed hideout a concealed hideout hideout 1 indefinite 0 sample eyecontact unfamiliar 12 f wait, where should I go? q2nc2.txt no-eyecontact unfamiliar 1 g okay phil q2nc2.txt no-eyecontact unfamiliar 2 f right q2nc2.txt no-eyecontact unfamiliar 3 g on my map i have a telephone kiosk in the bottom left-hand corner q2nc2.txt no-eyecontact unfamiliar 4 f uh-huh q2nc2.txt no-eyecontact unfamiliar 5 g okay the route starts above it q2nc2.txt no-eyecontact unfamiliar 6 f mmhmm q2nc2.txt no-eyecontact unfamiliar 7 g directly above it about on my map about half an inch from the top of the telephone kiosk q2nc2.txt no-eyecontact unfamiliar 8 f yeah got you q2nc2.txt no-eyecontact unfamiliar 9 g okay q2nc2.txt no-eyecontact unfamiliar 10 g it's a dotted line that moves around to the left of the k-- telephone kiosk down q2nc2.txt no-eyecontact unfamiliar 11 f mmhmm q2nc2.txt no-eyecontact unfamiliar 12 g passing around the left-hand side of the stone circle q2nc2.txt no-eyecontact unfamiliar 13 f stone circle q2nc2.txt no-eyecontact unfamiliar 14 g yeah q2nc2.txt no-eyecontact unfamiliar 15 f how don't think i've got that on my map i have a telephone kiosk and a the nearest thing is a broken gate to the bottom right-hand q2nc2.txt no-eyecontact unfamiliar 16 g yeah q2nc2.txt no-eyecontact unfamiliar 17 g well under on on my map directly under the telephone kiosk q2nc2.txt no-eyecontact unfamiliar 18 f mmhmm q2nc2.txt no-eyecontact unfamiliar 19 g at the right on the bottom left-hand corner of the page i have a stone circle q2nc2.txt no-eyecontact unfamiliar 20 f yeah q2nc2.txt no-eyecontact unfamiliar 21 f right q2nc2.txt no-eyecontact unfamiliar 22 g so if you could take your route straight down 'til about an inch above the bottom of the page q2nc2.txt no-eyecontact unfamiliar 23 f uh-huh q2nc2.txt no-eyecontact unfamiliar 24 g okay q2nc2.txt no-eyecontact unfamiliar 25 f right q2nc2.txt no-eyecontact unfamiliar 26 g then go straight straight on q2nc2.txt no-eyecontact unfamiliar 27 f to the r-- q2nc2.txt no-eyecontact unfamiliar 28 g horizontally about and for about another inch q2nc2.txt no-eyecontact unfamiliar 29 f to the right q2nc2.txt no-eyecontact unfamiliar 30 g yeah to the right q2nc2.txt no-eyecontact unfamiliar 31 f right q2nc2.txt no-eyecontact unfamiliar 32 g okay q2nc2.txt no-eyecontact unfamiliar 33 f okay q2nc2.txt no-eyecontact unfamiliar 34 g now if you move straight up you're going to be on the left-hand side of that farmer's gate q2nc2.txt no-eyecontact unfamiliar 35 f right q2nc2.txt no-eyecontact unfamiliar 36 g that correct q2nc2.txt no-eyecontact unfamiliar 37 f yeah q2nc2.txt no-eyecontact unfamiliar 38 g okay q2nc2.txt no-eyecontact unfamiliar 39 g if you move straight up until you're at the top left-hand corner of the broken gate q2nc2.txt no-eyecontact unfamiliar 40 f mmhmm q2nc2.txt no-eyecontact unfamiliar 41 f right q2nc2.txt no-eyecontact unfamiliar 42 g okay q2nc2.txt no-eyecontact unfamiliar 43 g now we're going to move do you have a meadow in the bottom right-hand corner q2nc2.txt no-eyecontact unfamiliar 44 f meadow yeah uh-huh q2nc2.txt no-eyecontact unfamiliar 45 g okay q2nc2.txt no-eyecontact unfamiliar 46 g now you're going to move in a diagonal line q2nc2.txt no-eyecontact unfamiliar 47 g do you have little seagulls drawn on it q2nc2.txt no-eyecontact unfamiliar 48 f no not at all q2nc2.txt no-eyecontact unfamiliar 49 g little birds q2nc2.txt no-eyecontact unfamiliar 50 g okay q2nc2.txt no-eyecontact unfamiliar 51 f oh yeah sorry i do yeah q2nc2.txt no-eyecontact unfamiliar 52 g no you do q2nc2.txt no-eyecontact unfamiliar 53 f uh-huh q2nc2.txt no-eyecontact unfamiliar 54 g well i've got five little birds on mine q2nc2.txt no-eyecontact unfamiliar 55 f yeah just above the meadow q2nc2.txt no-eyecontact unfamiliar 56 g okay q2nc2.txt no-eyecontact unfamiliar 57 f right q2nc2.txt no-eyecontact unfamiliar 58 g so if you take the middle bird q2nc2.txt no-eyecontact unfamiliar 59 f uh-huh q2nc2.txt no-eyecontact unfamiliar 60 g and you move up the page until you're probably about to a point that's about half an inch horizontally higher than the point you're at at the farmer's gate q2nc2.txt no-eyecontact unfamiliar 61 f right q2nc2.txt no-eyecontact unfamiliar 62 g okay q2nc2.txt no-eyecontact unfamiliar 63 f mmhmm q2nc2.txt no-eyecontact unfamiliar 64 g now if you take your route from where you are now to that point q2nc2.txt no-eyecontact unfamiliar 65 f right q2nc2.txt no-eyecontact unfamiliar 66 g diagonally upwards q2nc2.txt no-eyecontact unfamiliar 67 f right q2nc2.txt no-eyecontact unfamiliar 68 g okay we're going to move up from there to the ruined monastery q2nc2.txt no-eyecontact unfamiliar 69 f right q2nc2.txt no-eyecontact unfamiliar 70 g and your route's q2nc2.txt no-eyecontact unfamiliar 71 f h-- have you got overnight accommodation on yours q2nc2.txt no-eyecontact unfamiliar 72 g no i don't q2nc2.txt no-eyecontact unfamiliar 73 f well i've got overnight accommodation in a diagonal line between the ruined monastery and the point i'm at just now q2nc2.txt no-eyecontact unfamiliar 74 g in a diagonal line q2nc2.txt no-eyecontact unfamiliar 75 f yeah q2nc2.txt no-eyecontact unfamiliar 76 f it's about if upwards was north it would be northwest of where i am just now q2nc2.txt no-eyecontact unfamiliar 77 g yeah oh that sounds that sounds like the same route that i have here q2nc2.txt no-eyecontact unfamiliar 78 g does that take you up to the top right-hand corner say of the the ruined monastery you know just off the ruined monastery q2nc2.txt no-eyecontact unfamiliar 79 f erm well q2nc2.txt no-eyecontact unfamiliar 80 g by that pa-- q2nc2.txt no-eyecontact unfamiliar 81 f if i was goi-- to go up in a straight line just now i'd end up slightly to the right of the ruined monastery q2nc2.txt no-eyecontact unfamiliar 82 g okay q2nc2.txt no-eyecontact unfamiliar 83 g well it's slightly diagonally northwest as you said q2nc2.txt no-eyecontact unfamiliar 84 f yeah well that's through the overnight accommodation then q2nc2.txt no-eyecontact unfamiliar 85 g well that's that'd be good q2nc2.txt no-eyecontact unfamiliar 86 f i don't suppose that's an obstacle really q2nc2.txt no-eyecontact unfamiliar 87 g no q2nc2.txt no-eyecontact unfamiliar 88 g that'd be quite good actually q2nc2.txt no-eyecontact unfamiliar 89 f right go straight through it then q2nc2.txt no-eyecontact unfamiliar 90 g yeah q2nc2.txt no-eyecontact unfamiliar 91 g we're going right up there and around the top of the ruined monastery curving round the top q2nc2.txt no-eyecontact unfamiliar 92 f curving round the top the right-hand side or the left-hand side q2nc2.txt no-eyecontact unfamiliar 93 g oh we're coming up you're coming up on the right-hand side q2nc2.txt no-eyecontact unfamiliar 94 f mmhmm q2nc2.txt no-eyecontact unfamiliar 95 g and you're going over to the left-hand side and down q2nc2.txt no-eyecontact unfamiliar 96 f right q2nc2.txt no-eyecontact unfamiliar 97 g so it's curved down towards the west lake q2nc2.txt no-eyecontact unfamiliar 98 f sorry where am i going from the point just now just up northwest q2nc2.txt no-eyecontact unfamiliar 99 g up northwest q2nc2.txt no-eyecontact unfamiliar 100 f uh-huh q2nc2.txt no-eyecontact unfamiliar 101 g say to the top right-hand corner of the ruined monastery q2nc2.txt no-eyecontact unfamiliar 102 f uh-huh q2nc2.txt no-eyecontact unfamiliar 103 g okay and you're going to draw like a small arch just skimming round the outside of it q2nc2.txt no-eyecontact unfamiliar 104 f right q2nc2.txt no-eyecontact unfamiliar 105 f right q2nc2.txt no-eyecontact unfamiliar 106 f to the left q2nc2.txt no-eyecontact unfamiliar 107 g an arch q2nc2.txt no-eyecontact unfamiliar 108 g down to the left yes q2nc2.txt no-eyecontact unfamiliar 109 f yeah q2nc2.txt no-eyecontact unfamiliar 110 g okay q2nc2.txt no-eyecontact unfamiliar 111 f mmhmm q2nc2.txt no-eyecontact unfamiliar 112 g now you're going to keep moving downwards like in an arc q2nc2.txt no-eyecontact unfamiliar 113 f yeah q2nc2.txt no-eyecontact unfamiliar 114 g around the edge of the west lake q2nc2.txt no-eyecontact unfamiliar 115 g do you have the west lake on yours q2nc2.txt no-eyecontact unfamiliar 116 f nope not at all no q2nc2.txt no-eyecontact unfamiliar 117 g okay q2nc2.txt no-eyecontact unfamiliar 118 g let me see q2nc2.txt no-eyecontact unfamiliar 119 g now you've skimmed an arch around the top of the ruined monastery q2nc2.txt no-eyecontact unfamiliar 120 f yeah q2nc2.txt no-eyecontact unfamiliar 121 g come down about an inch keep the keep the arc coming down for about an inch q2nc2.txt no-eyecontact unfamiliar 122 f mmhmm q2nc2.txt no-eyecontact unfamiliar 123 f right q2nc2.txt no-eyecontact unfamiliar 124 g past the bottom of the ruined monastery q2nc2.txt no-eyecontact unfamiliar 125 f right q2nc2.txt no-eyecontact unfamiliar 126 g okay now you're going to curve it back q2nc2.txt no-eyecontact unfamiliar 127 g do you have a stile q2nc2.txt no-eyecontact unfamiliar 128 g up to q2nc2.txt no-eyecontact unfamiliar 129 f eh yeah uh-huh q2nc2.txt no-eyecontact unfamiliar 130 g yeah q2nc2.txt no-eyecontact unfamiliar 131 f yeah q2nc2.txt no-eyecontact unfamiliar 132 g well if you can curve it round until a point that's directly below the left-hand corner of the stile q2nc2.txt no-eyecontact unfamiliar 133 f mmhmm q2nc2.txt no-eyecontact unfamiliar 134 g and then move straight upwards towards the left-hand side skim round the left-hand side of the stile q2nc2.txt no-eyecontact unfamiliar 135 f am i doing an arc eh that's curving up and over to the left q2nc2.txt no-eyecontact unfamiliar 136 g yeah q2nc2.txt no-eyecontact unfamiliar 137 g you've just done one that's curved down q2nc2.txt no-eyecontact unfamiliar 138 f uh-huh q2nc2.txt no-eyecontact unfamiliar 139 g from the ruined monastery and you're curving back up now towards the stile q2nc2.txt no-eyecontact unfamiliar 140 f right q2nc2.txt no-eyecontact unfamiliar 141 g on the left-hand side of it q2nc2.txt no-eyecontact unfamiliar 142 f yeah q2nc2.txt no-eyecontact unfamiliar 143 f right i'm there q2nc2.txt no-eyecontact unfamiliar 144 g okay come over the top q2nc2.txt no-eyecontact unfamiliar 145 f mmhmm q2nc2.txt no-eyecontact unfamiliar 146 g and then once you're past the stile go straight up about two inches q2nc2.txt no-eyecontact unfamiliar 147 f uh-huh q2nc2.txt no-eyecontact unfamiliar 148 g okay q2nc2.txt no-eyecontact unfamiliar 149 f yeah q2nc2.txt no-eyecontact unfamiliar 150 g right at this point across t-- and down to the right-hand side of your page do you have a dead tree q2nc2.txt no-eyecontact unfamiliar 151 f eh no q2nc2.txt no-eyecontact unfamiliar 152 f i have a dutch elm but erm q2nc2.txt no-eyecontact unfamiliar 153 g well that's q2nc2.txt no-eyecontact unfamiliar 154 f is that the dead tree q2nc2.txt no-eyecontact unfamiliar 155 g possibly q2nc2.txt no-eyecontact unfamiliar 156 g yeah q2nc2.txt no-eyecontact unfamiliar 157 g above q2nc2.txt no-eyecontact unfamiliar 158 f well it's on the very far right-hand side of the page though q2nc2.txt no-eyecontact unfamiliar 159 g right q2nc2.txt no-eyecontact unfamiliar 160 g yeah q2nc2.txt no-eyecontact unfamiliar 161 g on the ri-- dilect directly right across from where you are do you have a great viewpoint a drawing of a telescope i have here q2nc2.txt no-eyecontact unfamiliar 162 f eh it's directly above where i am just now directly above the stile about four inches q2nc2.txt no-eyecontact unfamiliar 163 g yeah i've got that q2nc2.txt no-eyecontact unfamiliar 164 g i've got another one across to the right q2nc2.txt no-eyecontact unfamiliar 165 f no i haven't got that one q2nc2.txt no-eyecontact unfamiliar 166 g okay q2nc2.txt no-eyecontact unfamiliar 167 g and do you have the east lake up in the top right-hand corner q2nc2.txt no-eyecontact unfamiliar 168 f uh-huh q2nc2.txt no-eyecontact unfamiliar 169 f yeah q2nc2.txt no-eyecontact unfamiliar 170 g where you are just now should be horizontally across from say just below the bottom right-hand tip of it that's how high you should be on the map q2nc2.txt no-eyecontact unfamiliar 171 f the great viewpoint q2nc2.txt no-eyecontact unfamiliar 172 g no q2nc2.txt no-eyecontact unfamiliar 173 g no from the ea-- the bottom right-hand corner of the east lake q2nc2.txt no-eyecontact unfamiliar 174 f bottom right-hand corner uh-huh q2nc2.txt no-eyecontact unfamiliar 175 g okay q2nc2.txt no-eyecontact unfamiliar 176 f uh-huh q2nc2.txt no-eyecontact unfamiliar 177 g now you should be say about a half an inch below that only across the other side of the page q2nc2.txt no-eyecontact unfamiliar 178 f yeah got that exactly yeah q2nc2.txt no-eyecontact unfamiliar 179 g excellent q2nc2.txt no-eyecontact unfamiliar 180 g now you see where the ruined monastery is q2nc2.txt no-eyecontact unfamiliar 181 f yeah uh-huh q2nc2.txt no-eyecontact unfamiliar 182 g back to the ruined monastery again q2nc2.txt no-eyecontact unfamiliar 183 f straight line up q2nc2.txt no-eyecontact unfamiliar 184 g and you've got you've got an elm tree sort of just off to the right of that q2nc2.txt no-eyecontact unfamiliar 185 f oh right q2nc2.txt no-eyecontact unfamiliar 186 f yeah uh-huh q2nc2.txt no-eyecontact unfamiliar 187 g okay q2nc2.txt no-eyecontact unfamiliar 188 g what we're going to do then is draw a diagonal line from where you are now q2nc2.txt no-eyecontact unfamiliar 189 f mmhmm q2nc2.txt no-eyecontact unfamiliar 190 g down to a point that goes around the outside of the elm tree q2nc2.txt no-eyecontact unfamiliar 191 f right q2nc2.txt no-eyecontact unfamiliar 192 f i've got a popular tourist spot erm between the dutch elm and where i am just now q2nc2.txt no-eyecontact unfamiliar 193 g do you q2nc2.txt no-eyecontact unfamiliar 194 f yeah q2nc2.txt no-eyecontact unfamiliar 195 f so go straight through that q2nc2.txt no-eyecontact unfamiliar 196 g yeah go straight through it q2nc2.txt no-eyecontact unfamiliar 197 f towards the dutch elm q2nc2.txt no-eyecontact unfamiliar 198 g yeah q2nc2.txt no-eyecontact unfamiliar 199 f and which side of the dutch elm should i end up on q2nc2.txt no-eyecontact unfamiliar 200 g y-- you're going to draw a line around the outside of it so you should be underneath the dutch elm q2nc2.txt no-eyecontact unfamiliar 201 f right q2nc2.txt no-eyecontact unfamiliar 202 f so i'm drawing a line around the top of the dutch elm ending up at underneath it q2nc2.txt no-eyecontact unfamiliar 203 g yeah that's right q2nc2.txt no-eyecontact unfamiliar 204 f right q2nc2.txt no-eyecontact unfamiliar 205 f right q2nc2.txt no-eyecontact unfamiliar 206 g we're going to curve around the outside of the elm q2nc2.txt no-eyecontact unfamiliar 207 f mmhmm q2nc2.txt no-eyecontact unfamiliar 208 g okay q2nc2.txt no-eyecontact unfamiliar 209 f i've done that yeah q2nc2.txt no-eyecontact unfamiliar 210 g now q2nc2.txt no-eyecontact unfamiliar 211 g this dutch elm you have if you look across the page to the stile again q2nc2.txt no-eyecontact unfamiliar 212 f uh-huh q2nc2.txt no-eyecontact unfamiliar 213 g is it beneath the stile or q2nc2.txt no-eyecontact unfamiliar 214 f slightly beneath it the base of the dutch elm is about maybe half an inch below the bottom of the stile q2nc2.txt no-eyecontact unfamiliar 215 g uh-huh q2nc2.txt no-eyecontact unfamiliar 216 g and away f-- is it about an inch away from the right-hand side of the page q2nc2.txt no-eyecontact unfamiliar 217 f yeah uh-huh q2nc2.txt no-eyecontact unfamiliar 218 g oh must be the same tree i would think anyway q2nc2.txt no-eyecontact unfamiliar 219 f mmhmm q2nc2.txt no-eyecontact unfamiliar 220 g sounds similar q2nc2.txt no-eyecontact unfamiliar 221 g okay you're going to come around the outside of that q2nc2.txt no-eyecontact unfamiliar 222 f yeah q2nc2.txt no-eyecontact unfamiliar 223 g you'll be about an inch away from the right-hand s-- edge of the page q2nc2.txt no-eyecontact unfamiliar 224 f right q2nc2.txt no-eyecontact unfamiliar 225 g okay q2nc2.txt no-eyecontact unfamiliar 226 f mmhmm q2nc2.txt no-eyecontact unfamiliar 227 g and you're going to come back in as if you'd drawn about two thirds of a circle around the tree just about q2nc2.txt no-eyecontact unfamiliar 228 f right got you q2nc2.txt no-eyecontact unfamiliar 229 g okay q2nc2.txt no-eyecontact unfamiliar 230 f yeah q2nc2.txt no-eyecontact unfamiliar 231 g now q2nc2.txt no-eyecontact unfamiliar 232 g you don't have a telescope between you and the the east lake no q2nc2.txt no-eyecontact unfamiliar 233 f no q2nc2.txt no-eyecontact unfamiliar 234 g a great viewpoint q2nc2.txt no-eyecontact unfamiliar 235 g do you have any kind of marking at all q2nc2.txt no-eyecontact unfamiliar 236 f i've q2nc2.txt no-eyecontact unfamiliar 237 f rocket launch pad q2nc2.txt no-eyecontact unfamiliar 238 g a rocket launch pad q2nc2.txt no-eyecontact unfamiliar 239 f yeah q2nc2.txt no-eyecontact unfamiliar 240 g excellent q2nc2.txt no-eyecontact unfamiliar 241 g eh no i don't have a rocket launch pad on mine q2nc2.txt no-eyecontact unfamiliar 242 g but i don't think that would be a tremendously good place to go through q2nc2.txt no-eyecontact unfamiliar 243 f no q2nc2.txt no-eyecontact unfamiliar 244 g right q2nc2.txt no-eyecontact unfamiliar 245 g okay q2nc2.txt no-eyecontact unfamiliar 246 g do you have east lake written on the east lake q2nc2.txt no-eyecontact unfamiliar 247 f uh-huh yeah q2nc2.txt no-eyecontact unfamiliar 248 g yeah q2nc2.txt no-eyecontact unfamiliar 249 g see where the "e" is q2nc2.txt no-eyecontact unfamiliar 250 f uh-huh q2nc2.txt no-eyecontact unfamiliar 251 g erm if you draw a line if you are just about directly beneath that "e" q2nc2.txt no-eyecontact unfamiliar 252 f mmhmm q2nc2.txt no-eyecontact unfamiliar 253 g okay draw a line up to the water's edge maybe just to the right of that "e" q2nc2.txt no-eyecontact unfamiliar 254 f s-- straight up q2nc2.txt no-eyecontact unfamiliar 255 g straight up yeah q2nc2.txt no-eyecontact unfamiliar 256 f just slightly to the right of the "e" q2nc2.txt no-eyecontact unfamiliar 257 g mmhmm q2nc2.txt no-eyecontact unfamiliar 258 g until you're just like virtually on the water's edge q2nc2.txt no-eyecontact unfamiliar 259 f mmhmm q2nc2.txt no-eyecontact unfamiliar 260 g okay q2nc2.txt no-eyecontact unfamiliar 261 f right q2nc2.txt no-eyecontact unfamiliar 262 g now mark your route along the water's edge to a point that's just past the sort of bottom left-hand edge of it q2nc2.txt no-eyecontact unfamiliar 263 f uh-huh q2nc2.txt no-eyecontact unfamiliar 264 g okay q2nc2.txt no-eyecontact unfamiliar 265 g that's pointing q2nc2.txt no-eyecontact unfamiliar 266 f bottom left-hand edge q2nc2.txt no-eyecontact unfamiliar 267 g yeah q2nc2.txt no-eyecontact unfamiliar 268 g if if your line is pointing you-- you're not we're not going to take it that far but if your line is pointing towards the great viewpoint which is on the top left-hand corner q2nc2.txt no-eyecontact unfamiliar 269 f uh-huh q2nc2.txt no-eyecontact unfamiliar 270 g and you're still underneath the east lake then that's you q2nc2.txt no-eyecontact unfamiliar 271 f right q2nc2.txt no-eyecontact unfamiliar 272 f right got you q2nc2.txt no-eyecontact unfamiliar 273 g "x" marks the spot and we're finished q2nc2.txt no-eyecontact unfamiliar 274 f so where am i going now to the great viewpoint q2nc2.txt no-eyecontact unfamiliar 275 g that's you q2nc2.txt no-eyecontact unfamiliar 276 g no that's you